Wednesday, July 29, 2015
Revelations
I have learned a lot and feel that i have been given seeds that I will have to grow my self. No class can propel your work above a certain level. Only you can do that. There are classes that can show you the direction and Jenifer Thoreson's class is absolutely that.
Her process and ideals are so passively powerful that one can not help be affected by the experience. Her influence is not likely to overpower one's work bet will inevitably change it for the better.
Following are a couple of images that I made during the workshop. They are very much so out of my comfort zone and in no way as complete as I could make them. I prefer to enjoy them as they are for now though.
Monday, July 27, 2015
Takaways
This workshop was actually a fairly emotional and mentally draining one. I yearn to create work that really means something beyond the small audience of my clients. I truly value my clients and put a lot of heart into creating memories for them. I, in no way, take that for granted. I want more, for them, to be honest.
My personal work is what feels to me the most lacking in narrative and emotion. But I know that revalations I have about my personal will also add life to my client work as well.
I desparately search for the "thing" that makes one's work speak to humanity. I feel eerily close at times then, in the next moment, feel a million miles away.
I am pretty sure that emotion and narrative are in some way the key, for me and my work. Those qualities seem strangely missing in my work and I don't know why. So I search.
Jen is stellar in her approach. She attaches meaning to every little thing she adds to her work. Every prop, every gesture, every media choice, it all means something to her. In this may be, at least part of, the secret.
In attaching meaning and symbolism to everything, Jen can add a prop without hesitance or doubt. She can coax a subject into even the most awkward pose confidently. She owns her vision quitely and peacefully but does not have to question her motives, because she can justify the action.
If I take the same prop and attemp to put a subject into the same pose, it becomes trite and meaningless and I feel exceptionally awkward in the act, even to the point of embarrassment for even trying it. I simply have no reason to add things that have no meaning to me or the image.
This justification of all things may be part of the key to how some artists are able to push their work so much further than others. It is certainly a factor that influences the gravity of Jen's work.
Interestingly, it does not really matter what meaning the viewer ultimately reads from the created image. Every person is free to attach their own meanings. What matters is that each element be there with purpose and with any skill at all, they just make sense.
So I have some soul searching to do. I feel that I need to write down what has meaning to me and what elements of my work can I attach that meaning to. What can I add to my work, with newly found confidence, that carries a narrative through to the end viewer.
I am a bit anxious and excited at the same time, by the thought of exploring these new avenues. It is something that has to be done or I feel that I will fail to remain relevant inwardly and outwardly, to this craft that means so much to me and those who support me.
If I can manage to focus, what follows should be quite interesting and "in tents".
The Class
Thank you Jennifer Thoreson for a fantastically soleful workshop. I look forward to using what I have learned and to taking another.
Things I Learned Yesterday
Directing believable emotive gesture may be one of the most difficult things I may never learn to do.
It's dry at 9000 feet in Colorado.
I still enjoy playing the guitar, but will never be useful at it.
A List
One of Jen's suggestions was to write 10 words about your work. And also have someone else write 10 words about your work. This is a classmate's list. It is interesting that she could not make one list nor keep it to 10 words, which I think is a good thing. The list on the left is about my client work. The list on the right describes my personal work. She made the list looking at my website. adrianhenson.com
Sunday, July 26, 2015
Saturday, July 25, 2015
Things I Learned Today
I have always aimed to be, and have always cosidered my self to be,p a slow paced photographer. I now know for surr that I am not slow enough. Because my methodology of lighting, composing, posing, shooting has become so complex, I have had to learn to compartmentalize it. I, far too often, calculate everything that needs to be done to get a shot so fast, that memory of the act of creating the image is only a blur. I will often barely even remember shooting it.
I have to slow down.
This slowing down will allow me to move forward with confirmation that I have an image technically correct, which I am even more aware now, is a high priority for me.
I have a bad habit of cosidering an image complete once it meets my technical expectations. This is a mistake. This class is changing my ideals on what I consider complete. Once the technical is complete, then an image is ready to begin creating.
I have been quiting at the beginning step.
Outside Studio
I have dreamed of having studios of many descriptions over my career. This one never occurred to me.
Things I Learned Today
Altitude sickness is a thing. All UTVs should have windshields. Fresh asparagus have way more effect than canned asparagus. None of these facts photograph well so I will leave you with a random pic of the place.
Friday, July 24, 2015
Napper Valley
The class description called for us the slow down and take it all in. So I did. Nice nap. Feeling refreshed after the flight and long ride.
Note to self
Bulkhead seats, suck. Rear facing seats, suck. Prop planes, suck. Buy noise canceling headphone ASAP. Otherwise, a great morning:)